Writing

Rejection

Well, here we are. Or here I am, in any case.

I never made a conscious decision to stop blogging, or take a break, or whatever this has been. Like many others, I got caught in the tidal wave of the pandemic, and just getting through was about all I could do. I’m not sure I’m restarting, either, this may be a one-off. But I have thoughts, one in particular, that’s been banging around my brain these past couple of weeks. And good grief, it’s been so long since I blogged, WordPress is using a new (not intuitive!) editor program, and it just took me twenty minutes to figure out how to insert a photo.

This was never specifically a writing blog–and it isn’t about to become one–but I have rambled a fair amount about writing because it’s a big part of me and my life. Over the course of the pandemic, I did more submitting of short stories than I ever had before, had some success (acceptances/publications), and lots of thanks but no thanks, often but not always with specific invitations to try again. That’s the way of the publishing world, until and unless you’re SUPER BIG NAME WITH MANY ACCOLADES. Which is not most, not even those who are successful. Over the past week I received a couple of rejections I’d been waiting for, and this morning I sat down to the laptop intending to choose a few new places to send those stories to, and just couldn’t. Not today. Maybe tomorrow, maybe next week. Seriously, I feel like this chicken.

Chicken? Rooster? What do I know, I’m a city gal, after all.

Smashed into an invisible wall and decided here was as good a place as any to drop.

So what are these deep thoughts I’ve been having that I absolutely needed to share with the world? Rejection, of course. Not in a poor me kind of way, not calculations of acceptances/rejections, not looking for pep talks or cheerleading. Just thinking about the repeated choice to continue pursuing some measure of success in an area where monthly, weekly, daily rejections are par for the course. Thinking this must have, have had, an effect on the choices I make, the way I view the world, the way I view myself. Don’t you think?

Seriously, I’m wondering. What would the difference be, if there was a difference, if I was one of the many who enjoyed reading and writing as a child, got some nice compliments from a second or fifth grade teacher, and just left it there? Limited writing to cute or heartfelt messages at the bottom of Christmas and birthday cards. Impassioned social media posts. Maybe became one of those obnoxious, “Oh, you write? I always wanted to write a book but don’t have time, I’m going to write a bestseller when I retire, I’ve got the formula down from all the thrillers I read.” I don’t think I’d be radically different, the rest of me is still me, the rest of life would still be what it is. I’d still have a dark outlook but like to laugh, still be an old-timey Noo Yawk broad, still hate when it’s cold enough I have to wear socks, still have some who think I’m funny and more who think I’m too damned much. But I think there is something, and I wonder if it’s something significant enough that after all these years it’d be noticeable? fundamental?

Sure, it’s well known you have to have or develop thick skin to pursue any creative work. Which is weird as fuck, because at the same time you have to remain so sensitive you’re raw, the proverbial bleeding onto the page. Have such an inflated sense of yourself, your words, your ability to create fictional people and worlds you put your work out there absolutely certain others will care enough about your characters they’ll laugh with them, be shocked by them, maybe even cry when you kill them off. Hope these imaginary readers will pay real money to read your work, while understanding and accepting many more won’t be interested, maybe even think your blatherings are good for nothing more than lining the chicken coop.

Do you line chicken coops with paper?

The 3 Rs: Reading, Writing, and Rejections

Asses up: is burying my head in the reservoir the same as burying my head in the sand?

Recently I’ve seen a bunch of tweets/comments in the writing world about writing that strike me as…odd. That it isn’t the writing that matters, it’s the story. Umm, what? Yeah, yeah, I know, there are books/stories that are plot driven and those that are character driven, and there are different readers who read for different reasons. But. If I begin a novel and it doesn’t have a strong voice and or strong writing, I don’t care about the story and will stop reading. The opposite is also true, if the voice/writing is strong and the story sucks, I’ll continue to read and still love the book. Obviously, a great book will have it all, most writers strive to create it all, but many don’t. Including, yes, many published and sometimes lauded and/or bestselling stories.

But I’m also seeing the flip side– don’t-worry-about-publication, just write for the love of it, doesn’t matter if you’re ever/never published. Strangely enough, this statement is usually made by people who are published and don’t seem to be renouncing future contracts. Hmm. Yes, I understand where the statement is coming from: rep/publication will bring new pressures, doesn’t solve everything. Nothing does.

I do love to write, oh, the feeling you’ve nailed the phrase, the scene, the word. The other side is the lousy, practically adolescent (at 50,000 years old) angst of rejections. You have to have thick skin, they say. Heh. I’ve robbed Peter to pay Paul, fed my family more than once with a mostly empty fridge and cash scrounged from behind the cushions, seen both my husband and my daughter stop breathing, dealt with more ologists, advocating for my loved ones as a lay person most would love to ignore, actually seen Husband’s heart taken from behind all those nice protective layers of skin, muscle, and bone. The literal start to my day involves measuring the necrotic tissue on Husband’s foot, adding to the photo record of it to track the spread. Yup, my skin is plenty thick, thanks. None of this means I don’t care about my words. As I’ve said many times, for me, half of writing is being read. And nothing, nothing is equivalent to when someone reads my words and comes back to tell me they felt them.

I’m a reader who also plays with words and worlds of my own. I tend to enjoy reading books that are more in line with what I write (not exclusively, a good thriller or sff can be great fun to read, but my imagination doesn’t lean that way for wording). I’m a ferocious reader, a voracious reader, a fucking excellent reader who takes more pleasure in a great book than anything outside of those lovely but boring to others mama-moments. Seriously, half the time I trip over the kids’ names when more than one of them is standing in front of me, but a great opening line –hell, a great line in the middle of a novel– will stay with me forever.

Characters, oh I want characters who are fresh and raw and real. Who feel things deeply, who make me feel things deeply. It isn’t a fast pace, not even an imminent world war that’s going to make me feel, not a beautiful protagonist that will catch my reading eye, it’s the beautifully drawn world, even if, maybe especially if, it’s rich and dark and ugly; it’s the interesting narrative, sharp dialogue, it’s the words. Not is it realistic but does it feel/do these characters feel real? Making me ache is cool, but making me laugh is better, both is best. Does it make me want to move to Alaska in the middle of winter like when I reread The Snow Child? Yes, I want those sentences so lyrical, so clear and ringing I do stop reading and say goddamn, how did the author do that? Is this really the same language I use every day? A great book will somehow take me out of my everyday with characters who are everyman/woman. Characters I see myself and my people in: those who are struggling and striving and failing and pissed off. Characters whose stories shouldn’t be remotely interesting yet are.

In a surprise to no one I, Mrs Fringe, write fringe characters, the people in the background brought to the fore. They don’t save the world, most of the time they don’t even save themselves. If I was smart, as someone who loves playing with words, has no MFA, and wants to be published, I would work on stories and characters that are more commercial. More exciting, more elegant, more sexy, more triumphant. I guess I’m more stubborn than smart. And every time I get feedback from a reader who says yes, I felt her, I know him, every time I get one of those dreaded close but no cigar rejections–you know the ones, they’re personalized, offer specific and positive details but say nope, can’t place it, or not this time, try me/us again, every time I read a novel that rings so fucking true, it frustrates me to no end but also gooses me not to stop.

I’m not everyone, but I’m not the only one, either.

Where Have Those Damned Words Gone?

Sunrise over the East River

I’ll say one thing for all of our recent time in the hospital, they have the best damned views in the city. Most of my photos have weird shadows and reflections because of the double paned windows combined with my terrible photo taking skills when using the phone, but hey, I’ve woken up to worse.

Scary hospital stays are scary. How’s that for profound blathering? And when faced with these stays, we are a family that talks around things, jokes about them, because we do. I don’t want to cry any more than when I absolutely can’t hold it in, leaves me with one of those vicious migraines that have teeth and nausea every time, and hospital security gets really testy when you stand in the halls and scream profanities. In the past, I’d tell Husband I appreciated the vacation, but next time let’s pick a better hotel. These last few times, well. This is a fancy shmancy hospital, with tvs larger than the wall our living room tv hangs on. I told him it was the nicest hotel he’d ever taken me to. That was the joke, over and over with each new nurse, each new visitor. Not all that funny the first time, less so every time I said it, but again, wtf else am I going to say?

Words may be my thing, reading and writing them, but I lose them when I most need them just like a cab driver trying to explain in his third language that the crumpled fender of the car in front of his isn’t his fault.

In November I began reading a novel I had long been waiting for, and it’s truly rare for me to buy a book at full price. I wish I could more often to support authors, but my budget is limited and I read a lot. This one, though, I had to. Erin Morgenstern. There are many authors I admire for different strengths, and her strength is incredibly lush sentences I just get lost in. Nevertheless, I stopped reading once Husband was admitted because I just couldn’t relax into those opulent, fantastical dreams on the page. Nothing I can imagine myself writing.

Because my words are wrong, too raw. Too many shadows and distorted reflections that gauge their way out of my mouth with teeth and claws.

This morning I finished the novel. It didn’t inspire me to write anything beautiful, say anything beautiful, but I did bake an apple pie with all the cinnamon my heart desires, on top of a puff pastry crust with a layer of cheesecake in between, as close as I get to lush. Five minutes ago–as I was writing this–Husband’s doctor called, we’re looking at another inpatient stay next week.

Practical Dreaming?

Perfection

The only thing better than a beach day is a beer on the beach day. Sadly, this photo is from last month, and I’ve only made it the beach a couple of times this year. Life.

A couple of weeks ago was the Mrs Fringe blog-o-versary. I celebrated in Fringie style by intending to post about running this blog for the past six years, but was distracted by life and there went that.

Here’s the thing about living with chronic bouts of medical mayhem. It doesn’t take much, doesn’t take long to have all the doctor, specialist, emergency room visits meld into one long this-is-the-entirety of life. And it isn’t knowing too much about what’s being said in medical-ese, it’s the sneaky tidbit that comes from behind you and smashes you upside the head with an anvil. Like knowing exactly which bathroom is likely to be the emptiest/cleanest at any given time of day at your most visited ER.

I was joking with one of my writing friends last week, and told her to send me a rejection email so I could feel like a person. She didn’t, but the writing gods were with me and I did get one from an agent a few days later. Sounds a bit crazy to say that, eh? Not just because rejection, but because querying, in and of itself, can often feel dehumanizing. But rejections can be ok, they’re a reminder of person-hood and productivity. And this was a lovely one, personalized, complimentary, and brief. Well, maybe it is a bit crazy to talk about good rejections, but it’s a crazy business.

In addition to commentary on all the political muck, there’s been a lot of industry muck going around recently on social media, stories of agents who aren’t ethical, etc. I follow, pay attention, but don’t say much because I have no personal experience; I’m unagented and have never been strung along by a shmagent. I’d like to say the latter is the result of my sophisticated New Yorker radar, but that would be nonsense. It’s luck. I’m no different than any other wannabe who plays with words, knowing exactly how slim the odds are, and yet investing hours and days and weeks and months, sometimes years, into creating fictional people and living in their worlds, because it could happen. I could get signed, one of my manuscripts could get picked up. I want to think I wouldn’t get suckered, but I can see exactly how and why that damned hope could override any warning signs.

Yesterday there was an interesting thread on the writer’s forum, it’s been discussed many times before, and I don’t think what it became was the original question/intent, but it was a plot vs writing thread. Which is more important to readers, likelihood of being picked up, that kind of thing. Yah, yah, the best novels have both, but most novels aren’t *the best,* and have one or two strengths, not perfection. I enjoy a broad variety of books, literary and genre (nonfiction, too), but if I had to pick one, I lean towards the literary. I can forgive/ignore a lot of plot holes for an interesting character. As a reader, that’s fine, there are always many fine novels to choose from.

As someone who plays with words with an eye towards publication, it couldn’t be a poorer choice. If I was smart–practical–someone who wanted to improve the odds of their dream becoming real, I would work on a tightly plotted thriller with an intern who saves cyberspace, or an epic dark fantasy with a fairy who saves the world, or beautiful, eternally young vampires giving fangtastic blowjobs to shapeshifters–while saving the world.

I’m not that smart. The New Thing I talked about in my last post? I’m still working on it. Took a week off because of the medical mayhem, got back to it the other day. I’m not a fast writer, but if I’m in it, I’m in it, and will average 1000 words every writing session. I’m all in with this angry, unlikeable and unapologetic older woman. This morning I woke intending to open the file and begin the next scene, but instead sat and thought about how thoroughly impractical this story is if I care about finding an agent. And/or being published. There went the day’s words, eaten by angst and shoulda woulda couldas.

There is such a thing as a practical dreamer. I wish it was me, but it isn’t. I I love this story–even though most of it is barely more than a shadow at this point, and I am having too much fun with this character. When my words aren’t lost to practicality and medical mayhem.

What the hell, might as well go all in on the angst:

it was a Dark and Stormy Night

Hmmm

Ok, maybe it was more of a sunny but stormy morning. I like contradictions, the unexpected, the bits that make you say, wait, what? And I love the feeling when a new character’s voice gets strong and clear enough for me to begin putting fingers to keyboard.

And so, here I am. 22 pages into a New Thing. This many pages and it isn’t a short (for me, I know many write long shorts, I’m not one of them) but while the main character’s voice is clear in my head, and I’ve got a shadowy silhouette for the narrative structure, I don’t yet have enough of a story to know this can be a full length manuscript. I’m excited.

I know some who play with words are always excited by their new characters and stories, but I’m not one of those people. I always like them well enough–or, more accurately, not always like but am intrigued by them. But I’m not always excited. As a general rule, the more marketable (hah! as if I understand what’s marketable) the characters/story seem to be, well, the less tied to my words! my sweat! my opened a vein through the keyboard! I am. This is not a given, everyone’s process and experience is different. I’m sure I’ve blogged about this in the past, when I talked more about writing. I’m just not someone who feels each manuscript is a baby I’ve given birth to. I don’t feel any manuscript is a baby I’ve given birth to. Everyone has their own parenting style, but if I don’t feel a limb of any given kiddo is as perfect as I could have made it, I don’t chop it off.

That said, there are a few pieces I’ve been quite attached to, with 210% faith that weird or not, they were damned fine work, with a to-be-found audience that would pay money to read and not feel ripped off at the end, despite my fondness for killing characters. A couple of years back I swore I wasn’t going to write any more of those. Too consuming, too crushing when there was interest but no offers.

So what the hell am I doing with New Thing? It isn’t speculative fiction or magical realism–it’s been years since I’ve written anything over 3000 words that didn’t fall into those categories. Don’t misunderstand, it isn’t like I’m excited by a character or story that’s practical (read, marketable). No romance, no coming of age, no heartwarming friendship story, no thriller or cozy mystery. I’ve got a caustic, no-holds-barred 73 year old woman with early-onset age-related word finding issues, thoughts that skip around like a heart that needs a pacemaker, a love of bourbon, a greater love of cursing, memories of a family she abandoned close to 35 years ago, with no apologies for who she is and certainty that she’s going to die within the next two weeks. She’s offensive.

I’m using 1st person (I instead of she/he) for the bulk of it, which I’ve rarely done and am not particularly fond of, but it feels right for her. I’m using a framing device for the narrative (story within a story) which I’ve never done, and the frame is written in 2nd person, which no one is particularly fond of. It’s, I’m pretty sure, going to be, satire, which no one wants unless you’re Chuck Palahniuk, or Kurt Vonnegut, or John Kennedy Toole. All three are male, two are dead, and I’m neither. Sometimes you see Jane Austen on those satire lists, and I’m pretty sure the only thing my words/stories share with hers is that we both draw/drew from the English alphabet. But I’m kinda sorta falling in love with this bitch of a character. Bitchy, not snarky. I read the opening chapter to Husband (I always read my opening chapters to him–he’s a good sport, supportive of my words, but it’s more an exercise in me needing to read it aloud *to* someone than belief that he’s going to want to hear/read more), and he likes it. Genuinely laughed in all the spots I would hope someone would laugh. This is fucking terrifying.

Instead of a song/youtube vid, I’m closing this with the last few pages of the first chapter. Good, bad, or indifferent, Fringelings, feel free to share your thoughts:

Ha! You make me choke, think I learned to cook in the restaurant. Rest-o-rant-ay. I learned the restaurant to cook. No, I didn’t. I brought my secret in with me and took it when they closed. I’ll learn you to cook, if you want. Otherwise it’s just gonna go with me to the grave. No. Not learn. What’s that word? But I can’t start with cooking. Or the restaurant. If you want to hear my story, you gotta know there’s more than one. It’s a whole lotta stories, like everybody. Even you. You got one story in you? No, you gotta buncha em that brought you here, and a dozen more will chase you into your grave. But you don’t want those. You want what they tell you to want, one long happy ending. Because we’re women.

Men are supposed to have lots of stories. But women? Women are supposed to learn one thing, and learn that one thing to their children, and then sit quietly in their rockers and knit booties until it’s time to go. I say fuck. that. I seen too many knitting needles used for other things. Them spindles on those rockers hurt my back, I’ve lived too many stories to take that.

Take this.

Oh, now, don’t get all offended. It’s just a finger. You sit the rocker if you want, I’ll keep the recliner. See, it fits my body just right, cloth rubbed smooth from my fingers, crooks and all.

Where did I learn to cook? In the mountains, from my grams, same as most. Told ya, nothing dramatic. Bet ya didn’t know the Appalachian mountains go all into Pennsylvania. I know, most people think of Kentucky when they think Appalachia, but it’s a whole lot more than that. And don’t leave here cracking wise about banjos and moonshine. Sure, a little splash of bourbon is ok now and then. In fact, go ahead and top me up from that bottle in the cabinet next to the stove. No, no danger in mixing it, I told ya, I ain’t takin that damned medicine. A smoke, a tea and a splash, that’s all the medicine I need. Anything else is snake oil.

What the hell did they learn you up there in the Bronx? No cooking, no stories, too much medicine. Thank the lord I didn’t move up there. My husband wanted to, in the eye-talian section. Where they got those salamis hanging in the windows like shlongs looking for their shriveled owners and pastries laid out like communion wafers. No, Frankie ain’t Italian. He just wanted to be, thought those sharkskin suits and slick-haireds were the way to be men. He’s German-Irish, but not like me. He got all watered in with New York-ese. He mooned over Frank Sinatra and Dean Martin more than I did. I was more of a Bob Dylan gal, myself.

Teach! That’s the word. I’ll teach you to make my dumplings. But now I’m tired. Is something wrong? Nothing’s wrong, I’m old. Heh, who told you 73 wasn’t old? Musta been one of them rich women you visit, someone with a fancy dog and a book club. Women like me with stories and crooked fingers, we’re old. And we’re tired.

If you come back be useful. Bring potatoes and buttermilk, I’ll learn—I’ll teach you the secret. My gram’s dumplings and the restaurant’s guknockys. Both kinds but the same secret. Also bourbon.

The Rich Get Richer and the Poor Get Babies

Sunrise, it’s beautiful until you face the news.

The truth is I started this post yesterday–and by started I mean I typed in the title, uploaded the most recent photos, and then was crushed by the weight of it all. When creating a new file and starting a new…novel, maybe? is easier than writing a blog post, yeah, it’s heavy.

Often the anticipation of a thing, something bad you know is coming, or even the unknown of waiting for medical test results, is worse than when that thing happens. I knew, and if you weren’t in denial you knew, this swift, systematic dismantling of America and American rights was going to happen as soon as 45 was elected. The worst is now happening, and it isn’t any better than waiting/not knowing. Is it worse? Yes, because as quickly as all this is happening, it feels like well more than half the country is still in denial–and not just the racist, homophobic, misogynist supporters on the Right, but too many on the Left with their “Mueller will fix everything, it won’t get that bad,” and my current favorite, “Senators Collins and Murkowski will do the right thing.” If they were going to do the right thing they would have disavowed the rest of the GOP two years ago. Unless something immediate, drastic, and miraculous occurs, Kavanaugh (45’s latest pick for the Supreme Court) will be confirmed, and Roe v Wade is going to be overturned.

Whether or not we can change this (and yes, we should continue doing everything in our power to try), every woman and every man who so much as nods to the idea of women’s rights and equality needs to acknowledge what this means, just how far back this clock is spinning. Because guess what? It isn’t about abortion. There have always been abortions, but not safe, legal, and affordable ones. It sure as shit isn’t about the sanctity of life. It’s about punishing the poor and people of color–because those who are wealthy and white will always be able to hop on a plane to somewhere it’s safe and legal when they need to. It’s about putting women in their place, taking away our freedom, our agency, our power, our right to life. It’s about punishing females for having a uterus, girls for developing breasts, women for believing we too should have the rights of life, liberty, and the pursuit of happiness.

It’s about being told by men and wealthy corporations what we can or cannot do with our bodies, specifically our secondary sexual characteristics, to be used and abused only as these men and corporations deem appropriate and advantageous to them.

I know the popular stories from those on the right like to focus on the millions of imaginary evil wimminz who tempt men with their short skirts and girly bits, have unprotected sex while “taking” promotions in the workplace, and then skipping to their nearest Planned Parenthood for D&Cs. If you listen to these stories, these women choose to have abortions more regularly than most have menstrual cycles–yanno, when they’re bleeding from their wherever. There won’t be medical necessity exceptions, that’s been made very clear by those bullshit, alarmist campaigns against late term abortions–which are just about always performed because of medical necessity.

If and when this happens, I’m certain we can also look forward to the good old days where birth control was banned and illegal (since health care will be unaffordable, by that time birth control will also be a privilege for the wealthy). We’ll go back to the days of rape is impossible within a marriage–because there are plenty who still believe this–rape in general will be decriminalized and always the woman’s (girls, men, boys) fault. Hey, maybe they can start criminalizing and prosecuting women who have miscarriages. Don’t worry, there will be a natural limit to the cost of this, since a number of these women will die without the ability to have doctors perform D&Cs.

I thought I would go on and on with this post, detailing the history of abortion, birth control, and women’s rights, with a ton of links and photos, but no. I’m too tired, and I just can’t. Because those who are screaming that this is about criminalizing women’s sexuality are wrong. It’s about criminalizing women.

What We Bring, What We Take

I’m back! Didn’t realize I was gone? I boiled the water, poured it over the tea bag and…no milk. I don’t know about anyone else, but I can’t even read a post without a fresh cup of tea, let alone write one. One trip to the grocery store, one half-hearted clean-out of the fridge, one load and start the dishwasher and two hours later, sitting in front of the laptop again. With tea. I caught the most recent headlines detailing How-American-Democracy-Dies out of the corner of my squint, considered changing what I would blog about, and nope. Not today.

While I was on hiatus from the blog, I kinda sorta started a book club. I didn’t necessarily realize it was going to become *my* book club when I floated the idea to one of the more active tenants in the building. She got it started by posting a notice to see who might be interested, chose a date for an exploratory meeting, and then somehow, I’m the one spearheading it. Me and my big mouth, eh? In all honesty, so far it’s been great. There’s a good mix of interests/ages/backgrounds/and perspectives being brought to the discussions, enough people showing up to keep things lively, not so many that it’s difficult for anyone who wants to to be heard. This weekend I was chatting with a building friend, and she said she was enjoying the book club in unexpected ways because of those different perspectives. I’ve never done one of these clubs before (I know, you’re all shocked to discover I’m not a joiner of clubs), but I have to say I likely wouldn’t be interested in one that didn’t involve a mix like this one does.

Spent the weekend drafting pitches for a twitter contest coming up that I will almost certainly not participate in. As mentioned the other day, I’ve been generally obsessing over whether or not I’m going to try querying (through usual means, no tweeting required) this manuscript I’ve got. Even if the stars align and someone offers me a contract, it will involve lots of rejections first, and then during, and then after. I have to decide if I’m ready for it. What does this have to do with the book club? Perspective. Anyone who’s ever queried anything creative is familiar with some variation of the phrase, “this business is subjective, not right for me, etc.” It truly is subjective, and that subjectivity doesn’t stop with an agent and/or editor. Ultimately, once you produce words and put them out there, subjectivity lies with the readers. Not just the obvious of whether or not they enjoy the story/are glad they spent time with it, but the how and what of that enjoyment, or satisfaction, or dissatisfaction, what stuck with them and what their eyes skimmed over. Their interpretation of the story.

One of my beta readers referenced hope as something she took away from my story. My instinct was to deny it, nope–not about hope. I don’t do hope. Really. Except it is, if that’s what she saw. Because maybe her definition of hope is different than mine. Maybe what gives her hope is different than what might give me hope. What many others think of as dark I think of as honest. Interesting. The bits that ground us, what we hold in common through the human experience. (Yuck, that sounds grandiose, doesn’t it?) What connects us isn’t always love. Sometimes it’s hunger. Fear. The rage of feeling, being powerless in a given situation. The desire to laugh. Or maybe just to be transported for a little while; for a chapter or an hour or 90,000 words, out of our own world and into someone else’s. But when we do, we’re bringing our story to theirs, as sure as the reverse.

The Prodigal Blogger Returns

Hello all, it’s been a minute. How do I work this? How did I get here? Wait. Wrong song, wrong questions. Sort of.

I’ve been writing. And writing and revising and writing and revising. When I first began Mrs Fringe back in 2012, it was for all the lovely esoteric? ridiculous? reasons: a spot to be me, blah blah blah. It was also to see if I could get back to the discipline of writing. Which I did. In addition to the blog, I wrote a novel. I was pleased to have written it, queried it briefly, but I kind of hated it. I liked the very kernel in the center, but it wasn’t me. Not as a person, and not as a person who plays with words. Then I wrote another novel, which I loved. I queried that one, got an unexpected and deliciously exciting number of requests based on the query and opening chapters, but no offers, no hey-your words suck, please stop, no fix this-not that. I was fucking crushed, never going to write another novel, etc. Then I thought about going back to that other one, ideas for how I could rewrite it in a way that was me, but maybe include the potential to be commercially viable.

I started writing down notes on those ideas. Then in November 2016 the unspeakable but unignorable happened in the US, and I was crushed in a different way. At that point I took a break from the blog, feeling like America had voted for me to shut the fuck up, no-one was ever going to want to hear my words; not through Mrs Fringe and not through my fiction. Came back, blogged sporadically when I couldn’t stop the awful from spilling onto the keyboard, started seriously rewriting that manuscript. Too much awful, stopped the fiction, still blogged sporadically, then decided I needed to finish that novel. Talk about ludicrous. I had adult child telling me Mrs Fringe wasn’t fun anymore so obviously my answer was to write 90,000 words of political satire. Proof that no whips or chains are required to fulfill masochistic tendencies. This was also a different process for me. By nature, I’m a linear writer. First chapter, edit, second chapter, edit, and so on, until I reach the end, go back and edit the whole thing. I thought hey, this will be easier, I’ve got the bones from that original manuscript to use as a blueprint. Can’t speak for anyone else’s process, but for me, it was much harder, and I didn’t have enough words left at the end of each session to also blog. I will never do this again. Would I go back and revise an old manuscript, if there was a specific reason (ie: interest from someone in the industry)? Sure. But this? Nope. Seriously, I’d rather face the blank page.

Still tweaking, but it’s been written and revised and edited and edited and sent to beta readers and edited and edited. I even have a query letter. Because I’m Mrs Fringe, and the last manuscript (magical realism) was maybe a little too weird, naturally this one is eight times stranger. What can I say, I’ve got my own way of looking at the world, and my fiction explores that perspective. As always, the response from beta readers was split between positives “yes, send this out! I love your words! but maybe fix this first, and oh god what is it with you and commas?” and “wtf, Mrs F?” I’m having a hard time deciding the genre, I definitely veered left from magical realism, thought new weird might be right, but I’m not sure that’s a thing anymore (unless you’re China Miéville), so I’m getting used to using the term speculative fiction. It’s absurdist, kind of a fantastical satire set in near-future New York. Just the thing everyone is clamoring for, eh? Now I’m not sure what I’m going to do next. There are a couple of bits I want to add/clarify, and I’m not quite happy with the query, but I’m finding myself dragging my feet on fixing these, because I don’t know if I actually will query. If it’s as finished as I can/know I need to make it, I’ll have to decide. While it isn’t autobiographical, and maybe not the bookofmyheart that the last one was, it’s…Fringey. Much the way Mrs Fringe–eclectic as it is–has focused on what it is to live on the fringe of this city, this story explores the cracks of NY: who lives there, what they’re dreaming of, and how they survive.

I’m back here today because I’ve been thinking about blogging a lot. I broke the rules with Mrs Fringe. I don’t have one specific focus, I’m an expert on nothing yet have been forthcoming with my .02 on everything. I’m anonymous. I’m not consistent with content nor post production. I *gasp* don’t keep it positive. In almost six years of doing this, I haven’t built a huge following, but I do have a following. I think. Are you still there, readers? It’s me, Fringey. (I really did let it lie quiet for months this time.) If I was going to hit it “big” with thousands of followers, I figure it would have happened by now. But on a semi-regular basis–even during periods where I’m on a break and not posted anything–I get notes/messages from readers, maybe asking where I am, or telling me my weird words made sense to them, some have been generous enough to thank me. Every one of those notes has been amazing to receive, felt like both validation (yes! someone likes my words!) and bonus (it’s a blog, I have no expectation for anything to come of it). Can I find the same with my fiction? For all the years I’ve been playing with words, the question hasn’t changed: are my words good enough? Am I enough?

(Currently the working title of the manuscript, I’ve had this song on repeat for months. At this point I think it’s the soundtrack to my nightmares.)

Indulgence

The best laid plans

This morning I had a conversation with a friend about indulgences. The way right now, in our current political climate, everything that isn’t calling or protesting feels like an indulgence–a struggle between needing to step away and allow yourself to enjoy something and feeling guilty for doing (let alone enjoying) anything that isn’t directly related to learning everything possible about what’s going on; trying to sort out reality from scaremongering, hope from wishful thinking.

I’ve been eating too much (and way too large a percentage is comfort food), watching the news/Twitter feed/reading the news too much, not sleeping enough, worrying too much (maybe, it feels like there’s no such thing as too much worrying when our society is imploding and half the time my girl’s eyeballs look like they’re on fire; when an evening of fun results in a day of not feeling well and seizure watch while the GOP decides just how much health care she doesn’t deserve) and not writing much at all. Is there a point to working on the MIP (Mess In Progress) right now? It’s speculative, my usual magical realism with additional elements of near future dystopia. How’s that for a non-sensical mouthful? Not sure I’ve seen that shelf in Barnes & Noble. Eventually, if it ever gets completed, I’ll sort it out. I’ve read several excellent novels recently, a few of which have been smart, smart dystopians. Is what I’m saying really new/different/adding to the conversation? How exactly do I add to a word count when I’m bombarded by bills, laws, and declarations that my voice–as a woman of a certain age, as a mother, as someone in the wrong tax bracket, as someone who lives in New York–doesn’t count? Is there a point to blogging and bleating about subversive, unethical happenings in government that will harm us all when actual journalists are being blown off, attacked, jailed, and prevented from recording the daily propaganda statements?

Naturally, in the interest of keeping the few marbles I have left, this is where I stop thinking and get back to cooking.

Hmm, not quite right, is it?

I’ve been making this particular coffee cake for years. I think it was the first cake I ever made, my grandmother loved it. Not only have I been making it for years, I’ve been making it in the same dish. Today, I didn’t feel like climbing up to get that dish down from the top cabinet, and this other pan was already out. Years ago had I done this, I would have a) stopped at this point to get the correct baking dish down and transferred the batter before adding the apples and topping, b) made another batch to double the recipe/fill the pan, or, most likely c) scrapped it and begun again. Today I went with d) screw it, let’s see what happens.

Close enough, it still tastes good.

Comfort food, anyone?

Feed It All Your Woes

Through the fountain, Columbus Circle

I don’t know about anyone else, but my short stories always start with a sense. A glimpse, a scent, a phrase overheard, a taste. I used to imagine an eventual book of short stories, grouped by each of the senses. Usually while I’m walking, something will trigger the writing portion of my brain and burrow in. Often I try to ignore it, and over the coming days, weeks, months, I’ll know it’s growing, creating tunnels that connect into a story by the time I sit down to write. This is not my “process” (could I sound any more pretentious?) for full length manuscripts. I am not a careful plotter who creates extensive notes, charts, and detailed outlines, but a full novel needs more than a whiff.

One of these bristle-worms-of-the-brain began creating a space for itself the other day as I walked down the wet subway stairs to wait for the dreaded 6 train. I’m letting it lie, don’t have an actual story for this story yet, but for whatever reason it’s brought up all kinds of old memories.

For me, old memories are pretty much synonymous with old music, the songs and albums I associate with different people and experiences, from jazz to blues to classic rock, from punk to show tunes to folk rock. Anyway, I thought of an old friend I haven’t thought of in years. I can’t remember his full name, but I remember hours of poring over used albums in Academy Records and Bleecker Bobs. He taught me about reggae beyond Bob Marley, and after work I would drag him to the (now mostly gone) hole in the wall folk rock bars of the west Village. We worked with autistic children and teens when autism was still considered a rare disorder, before the definition and diagnosis expanded to a spectrum, and drowning myself in music was the best way to not leave my heart smashed in a million pieces behind the head of a child trying to use his skull like a hammer.

Naturally this led me to youtube, listening to music I haven’t listened to in a long time, including the album below, which I’ve been listening to for the past three days. I know I wore through at least two copies on vinyl and one on cassette, and while I can’t tell you how many years since I last listened, I still remember every word of every lyric. The entire album is beautiful, and some of it is quite dark, but when I was younger it left me hopeful and looking forward. Now it’s got me looking back, time and opportunities lost. This was Joni Mitchell’s debut album (ancient as I am, it was already long released by the time I “discovered” it). For all of her albums that I have owned and enjoyed, and despite the fact that when my birthday comes I associate it with her collaboration with Charles Mingus–their rap/scat of Happy Birthday, this is still my favorite. Song to a Seagull.